writing symphonies造句

• Although he was paid to write symphonies, few of those scores have survived to our time.
• "Jordan's coming back is almost like Beethoven coming back to write symphonies 10 and 11 . . ."
• She immediately started to write down music, and soon started writing symphonies as a hobby, using the portable organ she had at home.
• Schubert, though, develops doubts, whether he can express himself in songs appropriately, and so decides to turn to writing symphonies and operas.
• From the start, he aimed to write symphonies that would couch the modal harmonies of early music and the exotic scales of the East in lush Western orchestral textures.
• Others were not sure how to proceed whether to emulate the Ninth by writing symphonies with choral finales, or to develop the symphony genre in a purely instrumental fashion.
• Of the early Romantics, Felix Mendelssohn ( five symphonies ) and Robert Schumann ( four ) continued to write symphonies in the classical mold, though using their own musical language.
• We might believe he can play cards, but we don't believe he needs to do it, in the way, say, that the 12-year-old Mozart needed to write symphonies.
• Appalled by the destructive power that he had helped unleash, he finds himself wondering how people can go on living their ordinary lives, " writing symphonies, building bridges, as if Hiroshima had never happened ."
• He writes symphonies for Kirill Kondrashin and chamber symphonies for Rudolf Barshai, sonatas and concertos for David Oistrakh, Leonid Kogan, Daniil Shafran and Emil Gilels ( most of them, like the composer, precariously successful Soviet Jews ).
• In the winter and spring of 1893, DvoY
  醟 was commissioned by the New York Philharmonic to write Symphony No . 9, " From the New World ", which was premiered under the baton of Anton Seidl, to tumultuous applause.
• Previously Bruckner had been criticized for " simply writing symphonies with liturgical text, " and although the Cecilians were not entirely happy with the inclusion of wind instruments, " Franz Xaver Witt loved it, no doubt rationalizing the use of wind instruments as necessary under the circumstances of outdoor performance for which Bruckner wrote the piece . " " The Mass in E minor . . . is a work without parallel in either 19th-or 20th-century church music ."
• Musicologist Mark Evan Bonds writes, " Even symphonies by [ such ] well-known composers of the early 19th century as Moscheles were perceived in their own time as standing in the symphonic shadow of Haydn, Mozart, Beethoven, or some combination of the three . " While many composers continued to write symphonies during the 1820s and 30s, " there was a growing sense that these works were aesthetically far inferior to Beethoven's . . . . The real question was not so much whether symphonies could still be written, but whether the genre could continue to flourish and grow as it had over the previous half-century in the hands of Haydn, Mozart and Beethoven.